Conrath, RyanMarquess, Owen2023-01-092023-01-092022-12http://hdl.handle.net/11603/26601This essay is a comparative analysis of the films Weekend by Jean-Luc Godard and Gremlins 2: The New Batch by Joe Dante. The analysis goes over how each director uses materiality and the fourth wall break to convey the political ideology of the film.8 pagesen-USGremlins 2: The New BatchJoe DanteWeekend (film)Jean-Luc GodardClass critiqueHollywoodIdeologyText