Always-Already Absent Present: On Trauma and Materiality
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Author/Creator ORCID
Date
2022-01-01
Type of Work
Department
Visual Arts
Program
Imaging and Digital Arts
Citation of Original Publication
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This item may be protected under Title 17 of the U.S. Copyright Law. It is made available by UMBC for non-commercial research and education. For permission to publish or reproduce, please see http://aok.lib.umbc.edu/specoll/repro.php or contact Special Collections at speccoll(at)umbc.edu
Distribution Rights granted to UMBC by the author.
Access limited to the UMBC community. Item may possibly be obtained via Interlibrary Loan thorugh a local library, pending author/copyright holder's permission.
Distribution Rights granted to UMBC by the author.
Access limited to the UMBC community. Item may possibly be obtained via Interlibrary Loan thorugh a local library, pending author/copyright holder's permission.
Abstract
In Always-Already Absent Present: On Trauma and Materiality, I explore linguistic experience and its effects through my art practice working with organic materials. My story started with a painful car accident. Later, aspects of that trauma were repeated when I realized that being outside my mother tongue, the same traumatic accident was occurring � this time, leaving its mark on my tongue. This theses provides perspective on the concept of death, expanding the notion to the fundamental connection of human beings with nature and the intermediation of language. Living in a language other than my mother tongue, with its constant mandate of translation, has forced me to navigate the following issue: Humans do not have direct access to nature. Rather, this connection is murdered by language. In my artistic practice, I examine this barrier through the formation of waste, the abject, and the language of excrement.