Browsing by Author "Loviglio, Jason"
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Item Criminal: journalistic rigour, gothic tales and philosophical heft(University of Wollongong, 2017) Loviglio, JasonItem How To be a Critical Consumer of Media(UMBC Magazine, 2017-10-03) Loviglio, JasonItem Moments of danger: The struggle for community-based public radio in Baltimore(2019) Loviglio, JasonThis article explores the struggle of The Center for Emerging Media, an independent community media organisation in Baltimore with roots in the radical traditions of the American left, and aspirations for leveraging new media technologies to empower a new generation of voices and stories, to find audiences at the margins of the US public radio industry in a neoliberal moment of danger. As US Public radio networks have increasingly catered to well-to-do listeners keen to hear about social difference but not from the voices of the marginalised, organisations like the CEM have become increasingly endangered, resilient and necessary. This article explores those dangers and the resilience they inspire, and considers possible futures for alternative community media.Item Nice White Parents and the Phantom Public School(University of Wollongong, 2021-12) Loviglio, JasonSerial Productions’ Nice White Parents tells the story of “an utterly ordinary, squat, three-story New York City public school building”, and the many schools it has housed over six decades; each one, it turns out, shaped in ironic and disastrous ways by white parents’ ambivalent desire for diversity. Like some earlier Serial efforts, this is a story on a theme: the failure of the American experiment in public, democratic institutions. Thanks to impressive archival research, candid interviews with a wide range of stakeholders, and a deftly delivered dose of Serial’s trademark reflexivity between the object of study and the reporter’s investment, what could have been a depressing dirge for democracy is instead a lively dialectic exploration of the difficulty and necessity of equitable public institutions.Item Public Issue Radio: Talks, News and Current Affairs in the Twentieth Century(The Institute of Historical Research (IHR), 2020-07-20) Loviglio, JasonHugh Chignell’s well-researched volume tells the story of the development of current affairs programming on British radio, which, we learn, is inextricably tied to the ‘painfully slow development of news’ programming on the BBC. To explain the significance of the separation and elaboration of these two forms of broadcasting, Chignell begins with the Victorian ‘rigid class hierarchies’(p. 16) separating mere reporters (who dutifully wired the raw facts of unfolding events on the front lines) from highly educated correspondents (who sent their reflective and more subjective pieces by post) (p. 16). This sharp distinction between news and current affairs was unique to the British system and, Chignell argues, it influenced ‘the shape and nature of public issue radio for the rest of the century’Item Reconsidering Mass Media: An Invited Dossier(University of Texas Press, 2024-03-12) Loviglio, JasonItem Serial, Season Three: From Feeling to Structure(University of Wollongong) Loviglio, JasonFrom the start, host and reporter Sarah Koenig presents the 2018 season of Serial as a corrective to the universe-in-a-grain-of-sand approach typical of earlier seasons and much of the work of This American Life, from which Serial spun off. In a thematic departure, Koenig sets out to tell the story of structures, rather than merely structure a story. The first character is a “cluster of concrete towers” in downtown Cleveland, called the Justice Center, a name we’ll quickly come to understand as ironic, if not Orwellian. Host Sarah Koenig describes the structure as “hideous but practical”. Koenig and company have built each episode to function like steps along a path, to provide a spatial sense of the Justice Center and a conceptual sense of the social universe in which its denizens reside. In addition to meticulous structuring, Koenig needs all her charm, all her storytelling prowess, and all the wry humour she can wring from the cases she investigates, because the story of the Cleveland Justice Center is an American horror story. It is a damning indictment of the toxic stew of white supremacy, class divides, a punitive philosophy of corrections, and bureaucratic malfeasance that makes it nearly impossible for justice to be served. In a set of several stories about individual cases that occasionally overlap, spill over into different episodes, and circle back through coincidences and thematic unities only to fracture again, Koenig and her colleague Emmanuel Dzotsi evoke a world of cascading injustices.