Faculty Works
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Recent Submissions
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Book review of An Oxford companion to the Romantic Age: British culture 1776-1832, Iain McCalman, editor
(American Society for Eighteenth Century Studies, 2002)Book review of a reference work on British culture during the Romantic Age -
Book review of George H. Douglas' H. L. Mencken: critic of American life
(Maryland Historical Society, 1978)Book review of an examination of H.L. Mencken -
Book review of Carleton Jones's Maryland: a picture history, 1632-1976 and Edwin Wolf II's Philadelphia: portrait of an American city
(Maryland Historical Society, 1978)Book review of two pictorial histories; one about Maryland and one about Philadelphia, Pennsylvania -
Book review of A concordance and word-lists to Henry Fielding's "Shamela," Michael G. Farringdon, ed.
(Springer, 1983-12)Book review of a concordance to Henry Fielding's Shamela -
Book review of Robert Ignatius Letellier's The English Novel, 1660-1700: An annotated bibliography
(College of Toronto. Press, 1998-11)Book review of an annotated bibliography of the early English novel -
Book review of Deborah Kennedy's Poetic sisters: early eighteenth-century women poets
(American Society for Eighteenth Century Studies, 2013-09)Book review of a book on eighteenth century women poets -
Book review of Eric Parisot's Graveyard poetry: religion, aesthetics and the mid-eighteenth-century poetic condition
(American Society for Eighteenth Century Studies, 2015-03)Book review of a book on graveyard poetry -
Book review of Poetic meditations on death: a Gothic and Romantic literary genre of the long eighteenth century (1693-1858), ed. Evert Jan van Leeuwen
(Pennsylvania State University Press, 2017)Book review of an anthology of graveyard poetry -
Henry Fielding: an annotated bibliography
(Scarecrow Press, 1979) -
The eighteenth-century British novel and its background: an annotated bibliography and guide to topics
(Scarecrow Press, 1985) -
The country myth and the politics of the early Georgian novel
(Peter Lang Publishing, 1991) -
The country myth: motifs in the British novel from Defoe to Smollett
(Peter Lang Publishing, 1991) -
The ocean bards: British poetry and the war at sea, 1793-1815
(Peter Lang Publishing, 2008) -
"Auburn" in Goldsmith's The deserted village: possible Gallic overtones?
(College Language Association (U.S.), 1978-12)[From article]: The deserted village of Goldsmith’s 1770 poem has proved to be a lost village as well, for scholars have been unable to find an exact location for it. Many identify Auburn with the poet’s home of Lissoy in ... -
The orchard and the street: the political mirror of the tragic in Julius Caesar and Coriolanus
(College Language Association (U.S.), 1983)[From article]: It is perhaps no coincidence that in Julius Caesar and Coriolanus Shakespeare demonstrates his most “Roman” virtues: political concern, sobriety of language, tonal reserve, dignity of mood, spare and ... -
Twilight reflections: the hold of Victorian Baltimore on Lizette Woodworth Reese and H.L. Mencken
(University of Southern Mississippi. College of Arts and Sciences, 1984)[From article]: To the old, as Faulkner wrote in “A Rose for Emily,” “all the past is not a diminishing road but, instead, a huge meadow which no winter ever quite touches.” Certainly for Baltimore’s two preeminent native ... -
An approach to character development in Defoe's narrative prose
(University of Iowa, 1972)[From article]: The critical approach to character in Defoe’s narrative prose has been mainly circuitous. By emphasizing genres as external patterns that inform his conception of the individual, interpretation of central ... -
The campus trials of Mencken's satire
(Enoch Pratt Free Library, 2013)[From article]: “I think that people like to read abuse,” said Mencken to Donald Kirkley in a recorded interview of 1948. His charge prompts four trials about satire to a college-age class today. -
Historiographic and literary: the fusion of two eighteenth-century modes in Scott's Waverly
(University of Hartford, 1974)[From article]: A first work is often traditional, and the study of it in the contexts of its traditions often yields fresh insights into the later canon that are as much technical as historical. Just as Shakespeare’s early ...
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