reciprocation

dc.contributor.advisorNohe, Timothy
dc.contributor.authorCharney, Jason
dc.contributor.departmentVisual Arts
dc.contributor.programImaging and Digital Arts
dc.date.accessioned2021-09-01T13:54:47Z
dc.date.available2021-09-01T13:54:47Z
dc.date.issued2020-01-20
dc.description.abstractThe sculptural works in "reciprocation" repurpose loudspeakers, transforming them from "invisible" aural channels into evocative things to interrogate interpersonal relationships, (mis)communications, and the kinetic phenomenon of sound itself. While recorded audio is used to drive the speakers, the heard sound is an artifact of material activated by subsonic frequencies. As the phenomena of sound and hearing are dependent on reciprocal movement, so is our understanding and reflection of the meaning that sound carries. reciprocation consists of four works: "fate," in which two speakers, one positioned vertically above the other, are united by dozens of parallel red threads; "allegory," in which eight speakers thump against a wall and the restraints holding them up, causing lights hidden within their cones to cast changing shadows around the darkened space; "harmonic curtain," depicting the harmonic series through a network of connected chains; and "trine," a triangle of three freely hanging speakers linked by a mesh of fine chain.
dc.formatapplication:pdf
dc.genretheses
dc.identifierdoi:10.13016/m2utxh-dqcf
dc.identifier.other12207
dc.identifier.urihttp://hdl.handle.net/11603/22749
dc.languageen
dc.relation.isAvailableAtThe University of Maryland, Baltimore County (UMBC)
dc.relation.ispartofUMBC Visual Arts Department Collection
dc.relation.ispartofUMBC Theses and Dissertations Collection
dc.relation.ispartofUMBC Graduate School Collection
dc.relation.ispartofUMBC Student Collection
dc.sourceOriginal File Name: Charney_umbc_0434M_12207.pdf
dc.subjectinstallation
dc.subjectintermedia
dc.subjectmultimedia
dc.subjectsculpture
dc.subjectsound art
dc.subjectspeakers
dc.titlereciprocation
dc.typeText
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dcterms.accessRightsThis item may be protected under Title 17 of the U.S. Copyright Law. It is made available by UMBC for non-commercial research and education. For permission to publish or reproduce, please see http://aok.lib.umbc.edu/specoll/repro.php or contact Special Collections at speccoll(at)umbc.edu

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