In their own voices: silence and the female voice in the Orlando furioso

dc.contributor.advisorMcLucas, John C.
dc.contributor.authorLynch, Monica L.
dc.contributor.departmentTowson University. Department of Humanitiesen_US
dc.date.accessioned2016-09-29T21:46:43Z
dc.date.available2016-09-29T21:46:43Z
dc.date.issued2016-09-29
dc.date.submitted2016-05
dc.description(M.A.) -- Towson University, 2016en_US
dc.description.abstractFor women, the rediscovery of classical texts meant that the ideals of silence and chastity became more closely linked in Early Modern minds than they had been before. Imposed on women, these ideals meant that any show of female autonomy or outspokenness was the target of vituperation. In his 1516 - 1532 editions of Orlando furioso, Ludovico Ariosto considers this vein of the querelle des femmes through his exploration of alternative possibilities of Woman, emphasizing the absurdity of those ideals. Using Guido Waldman’s prose edition because of its literal translation, I examine Ariosto’s personification of silence and the complexity that the ability or inability to speak adds to his female characters to reveal his criticism of the limits of the querelle. Ariosto’s characterizations suggest that the relationships between men and women are more complex than scope of the querelle allows. Furthermore, by allowing female characters to speak and narrate, Ariosto gives women the voice both to narrate and to “write” themselves into history, giving both sexes equal access to the conversation.en_US
dc.description.urihttp://library.towson.edu/cdm/ref/collection/etd/id/49533en_US
dc.formatapplication/pdf
dc.format.extentv, 100 pagesen_US
dc.genrethesesen_US
dc.identifierdoi:10.13016/M2Z52T
dc.identifier.otherDSU2016Lynch
dc.identifier.urihttp://hdl.handle.net/11603/3262
dc.language.isoen_USen_US
dc.titleIn their own voices: silence and the female voice in the Orlando furiosoen_US
dc.typeTexten_US

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