A Weekend With Gremlins
| dc.contributor.advisor | Conrath, Ryan | |
| dc.contributor.author | Marquess, Owen | |
| dc.contributor.department | en | en |
| dc.contributor.program | Film Studies | en |
| dc.date.accessioned | 2023-01-09T22:14:46Z | |
| dc.date.available | 2023-01-09T22:14:46Z | |
| dc.date.issued | 2022-12 | |
| dc.description.abstract | This essay is a comparative analysis of the films Weekend by Jean-Luc Godard and Gremlins 2: The New Batch by Joe Dante. The analysis goes over how each director uses materiality and the fourth wall break to convey the political ideology of the film. | en |
| dc.format.extent | 8 pages | en |
| dc.genre | essays | en |
| dc.identifier | doi:10.13016/m2plxl-jcjr | |
| dc.identifier.uri | http://hdl.handle.net/11603/26601 | |
| dc.language.iso | en | en |
| dc.relation.isAvailableAt | Salisbury University | en |
| dc.subject | Gremlins 2: The New Batch | en |
| dc.subject | Joe Dante | en |
| dc.subject | Weekend (film) | en |
| dc.subject | Jean-Luc Godard | en |
| dc.subject | Class critique | en |
| dc.subject | Hollywood | en |
| dc.subject | Ideology | en |
| dc.title | A Weekend With Gremlins | en |
| dc.type | Text | en |