A GHOST OF A CHANCE: Invisibility and Elision in African American Art Historical Practice

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dc.contributor.authorSmalls, James
dc.date.accessioned2024-08-20T13:45:26Z
dc.date.available2024-08-20T13:45:26Z
dc.date.issued1994-04
dc.description.urihttps://www.journals.uchicago.edu/doi/10.1086/adx.13.1.27948606
dc.format.extent6 pages
dc.genrejournal articles
dc.identifierdoi:10.13016/m2jcxj-o9v9
dc.identifier.citationSmalls, James. “A GHOST OF A CHANCE: Invisibility and Elision in African American Art Historical Practice.” Art Documentation: Journal of the Art Libraries Society of North America 13, no. 1 (April 1994): 3–8. https://doi.org/10.1086/adx.13.1.27948606.
dc.identifier.urihttps://doi.org/10.1086/adx.13.1.27948606
dc.identifier.urihttp://hdl.handle.net/11603/35718
dc.language.isoen_US
dc.publisherThe University of Chicago Press
dc.relation.isAvailableAtThe University of Maryland, Baltimore County (UMBC)
dc.relation.ispartofUMBC Faculty Collection
dc.relation.ispartofUMBC Visual Arts Department
dc.relation.ispartofUMBC Gender & Women's Studies
dc.relation.ispartofUMBC Africana Studies
dc.titleA GHOST OF A CHANCE: Invisibility and Elision in African American Art Historical Practice
dc.typeText

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