The Most Important Dress in the Country”: The Rhetoric of Glamour in the Smithsonian’s “The First Ladies

dc.contributor.authorKeohane, Jennifer
dc.date.accessioned2019-11-06T13:53:36Z
dc.date.available2019-11-06T13:53:36Z
dc.date.issued2017
dc.description.abstractThis article examines the exhibit “The First Ladies” in the Smithsonian’s National Museum of American History. The exhibit, composed primarily of inauguration gowns and china settings from state dinners, has existed since the early twentieth century and is one of the Smithsonian’s most popular and controversial exhibits. I argue that “The First Ladies” relies on a rhetoric of glamour that emphasizes the perfection, ease, and mystery of those who hold this role. This rhetoric constructs a subjectivity for viewers as spectators appreciative of the elite culture on display that perpetuates a masculine way of seeing.en_US
dc.description.urihttp://proxy-ub.researchport.umd.edu/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=asn&AN=124585065&site=eds-liveen_US
dc.format.extent35 pagesen_US
dc.genrejournal articleen_US
dc.identifierdoi:10.13016/m2fxyl-dpb6
dc.identifier.citationKeohane, J. (2017). “The Most Important Dress in the Country”: The Rhetoric of Glamour in the Smithsonian’s “The First Ladies.” Women’s Studies in Communication, 40(3), 270–288. https://doi.org/10.1080/07491409.2017.1346531en_US
dc.identifier.issn0749-1409
dc.identifier.urihttps://doi.org/10.1080/07491409.2017.1346531
dc.identifier.urihttp://hdl.handle.net/11603/16048
dc.language.isoen_USen_US
dc.publisherWomen's Studies in Communicationen_US
dc.relation.isAvailableAtUniversity of Baltimore
dc.subjectFirst ladiesen_US
dc.subjectglamouren_US
dc.subjectmasculine gazeen_US
dc.subjectpublic memoryen_US
dc.subjectSmithsonianen_US
dc.titleThe Most Important Dress in the Country”: The Rhetoric of Glamour in the Smithsonian’s “The First Ladiesen_US
dc.typeTexten_US

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