Kate Millett, Sculptor: The First 38 Years

dc.contributor.authorO'Dell, Kathy
dc.contributor.authorMillett, Kate
dc.contributor.authorBerger, Maurice
dc.contributor.departmentFine Arts Galleryen_US
dc.contributor.programFine Arts Galleryen_US
dc.date.accessioned2021-02-15T15:46:14Z
dc.date.available2021-02-15T15:46:14Z
dc.date.issued1997
dc.descriptionCatalog of a retrospective exhibition held at the Fine Arts Gallery, University of Maryland Baltimore County, Catonsville, Maryland, February 27 to April 5, 1997 Contents: Foreword / Linda Nochlin -- Preface / David Yager -- Shaping identity, reshaping constraints: the sculpture of Kate Millett / Kathy O'Dell -- From the basement to the madhouse (reproduced from "Art papers," May/June 1988; reflecting updated scholarship with dates in brackets) / Kate Millett -- Kate Millett: a time line on gender, sexuality, and culture, 1959-1997 / Maurice Berger -- Checklist of the exhibition -- Biography.en_US
dc.description.abstractKate Millett (1934-2017) is widely known as a feminist scholar and activist. Indeed, she became one of the key initiators of the second round of 20th Century feminism when her doctoral dissertation-turned-book, titled Sexual Politics, was published in 1970, ultimately earning her a place on the cover of Time magazine in August of that year. She also led many a protest associated with civil, women’s, and gay rights through organizations ranging from the Congress of Racial Equality to the National Organization for Women, Redstockings, Radicalesbians, and more. But at the time that Kate Millett, Sculptor: The First 38 Years was mounted at the University of Maryland, Baltimore County’s Fine Arts Gallery (now the Center for Art, Design, and Visual Culture) in 1997, relatively little was known about Millett’s myriad accomplishments as a visual artist. The exhibition focused on her sculptural works, featuring installations focused on themes of violence against women, incarceration, and mental health, as well as more fanciful Fluxus-inspired works. The catalog features an introduction by Linda Nochlin; comprehensive essay by the exhibition’s curator Kathy O’Dell; reprint of an article Millett published about her own sculpture in 1988; timeline of events in the areas of Gender and Sexuality, Art and Culture, and Millett’s life, compiled by Maurice Berger; and over two dozen photographs of Millett’s works made across the 38-year period covered in the exhibition.en_US
dc.description.sponsorshipMaryland State Arts Councilen_US
dc.format.extentix, 86 pages : illustrations ; 23 cmen_US
dc.genreExhibition catalogen_US
dc.identifierdoi:10.13016/m2yhaz-uw0a
dc.identifier.citationMillett, K., O'Dell, K., & Berger, M. (1997). Kate Millett, sculptor: the first 38 years. Distributed Art Pub Inc.en_US
dc.identifier.urihttp://hdl.handle.net/11603/21012
dc.publisherFine Arts Gallery, University of Maryland Baltimore Countyen_US
dc.relation.isAvailableAtThe University of Maryland, Baltimore County (UMBC)
dc.relation.ispartofUMBC Center for Art Design and Visual Culture Collection
dc.relation.ispartofUMBC Visual Arts Department
dc.relation.ispartofUMBC Faculty Collection
dc.rightsThis item may be protected under Title 17 of the U.S. Copyright Law. It is made available by UMBC for non-commercial research and education. For permission to publish or reproduce, please contact the author
dc.rightsAttribution-NonCommercial-NoDerivs 3.0 United States*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/us/*
dc.titleKate Millett, Sculptor: The First 38 Yearsen_US
dc.typeTexten_US

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