Seeing double:visibility, temporality, and transfeminine history in Transparent

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dc.contributor.authorMorse, Nicole
dc.date.accessioned2025-11-21T00:30:33Z
dc.date.issued2016
dc.description.abstractArtist Zackary Drucker serves as a 'trans consultant' for Amazon's Transparent, but does her influence also affect the show's aesthetics, and if so, how can this be documented?
dc.description.urihttps://www.ejumpcut.org/archive/jc57.2016/-MorseTransparent/
dc.format.extent13 pages
dc.genrejournal articles
dc.identifierdoi:10.13016/m2fdks-3tgm
dc.identifier.citationMorse, Nicole Erin. “Seeing Double:Visibility, Temporality, and Transfeminine History in Transparent.” JUMP CUT A REVIEW OF CONTEMPORARY MEDIA, no. 57. 2016. https://www.ejumpcut.org/archive/jc57.2016/-MorseTransparent/.
dc.identifier.urihttp://hdl.handle.net/11603/40902
dc.language.isoen
dc.publisherJump Cut
dc.relation.isAvailableAtThe University of Maryland, Baltimore County (UMBC)
dc.relation.ispartofUMBC Gender & Women's Studies
dc.relation.ispartofUMBC Language, Literacy, and Culture Department
dc.relation.ispartofUMBC Media and Communication Studies
dc.rightsAttribution 2.5 Generic
dc.rights.urihttps://creativecommons.org/licenses/by/2.5/deed.en
dc.titleSeeing double:visibility, temporality, and transfeminine history in Transparent
dc.typeText
dcterms.creatorhttps://orcid.org/0000-0002-4688-2454

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