Madea Sensation: Paradox and Trans Feminist Possibilities in Tyler Perry's Work

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dc.contributor.authorMorse, Nicole
dc.date.accessioned2025-11-21T00:30:30Z
dc.date.issued2020
dc.description.urihttps://www.jstor.org/stable/10.13110/discourse.42.3.0332
dc.format.extent25 pages
dc.genrejournal articles
dc.identifierdoi:10.13016/m2zwmz-sajl
dc.identifier.citationMorse, Nicole Erin. “Madea Sensation: Paradox and Trans Feminist Possibilities in Tyler Perry’s Work.” Discourse 42, no. 3 (2020): 332–55. https://doi.org/10.13110/discourse.42.3.0332.
dc.identifier.urihttps://doi.org/10.13110/discourse.42.3.0332
dc.identifier.urihttp://hdl.handle.net/11603/40899
dc.language.isoen
dc.publisherWayne State University Press
dc.relation.isAvailableAtThe University of Maryland, Baltimore County (UMBC)
dc.relation.ispartofUMBC Gender & Women's Studies
dc.relation.ispartofUMBC Language, Literacy, and Culture Department
dc.relation.ispartofUMBC Media and Communication Studies
dc.rightsThis item is likely protected under Title 17 of the U.S. Copyright Law. Unless on a Creative Commons license, for uses protected by Copyright Law, contact the copyright holder or the author.
dc.titleMadea Sensation: Paradox and Trans Feminist Possibilities in Tyler Perry's Work
dc.typeText
dcterms.creatorhttps://orcid.org/0000-0002-4688-2454

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