Slavery is a Woman: ‘Race,’ Gender, and Visuality in Marie Benoist’s Portrait d’une négresse (1800)

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dc.contributor.authorSmalls, James
dc.date.accessioned2024-08-20T13:45:25Z
dc.date.available2024-08-20T13:45:25Z
dc.date.issued2004
dc.description.urihttps://www.19thc-artworldwide.org/spring04/slavery-is-a-woman-race-gender-and-visuality-in-marie-benoists-portrait-dune-negresse-1800
dc.format.extent36 pages
dc.genrejournal articles
dc.identifierdoi:10.13016/m2j505-oap4
dc.identifier.citationSmalls, James. “Slavery Is a Woman: ‘Race,’ Gender, and Visuality in Marie Benoist’s Portrait d’une Négresse (1800).” Nineteenth-Century Art Worldwide 3, no. 1 (2004). https://www.19thc-artworldwide.org/spring04/slavery-is-a-woman-race-gender-and-visuality-in-marie-benoists-portrait-dune-negresse-1800.
dc.identifier.urihttp://hdl.handle.net/11603/35716
dc.language.isoen_US
dc.publisherAssociation of Historians of Nineteenth-Century Art
dc.relation.isAvailableAtThe University of Maryland, Baltimore County (UMBC)
dc.relation.ispartofUMBC Faculty Collection
dc.relation.ispartofUMBC Visual Arts Department
dc.relation.ispartofUMBC Gender & Women's Studies
dc.relation.ispartofUMBC Africana Studies
dc.rightsATTRIBUTION-NONCOMMERCIAL 4.0 INTERNATIONAL
dc.rights.urihttps://creativecommons.org/licenses/by-nc/4.0/
dc.titleSlavery is a Woman: ‘Race,’ Gender, and Visuality in Marie Benoist’s Portrait d’une négresse (1800)
dc.typeText

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