Stanislavski’s Acting Method and Control Theory: Commonalities across Time, Place, and Field

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dc.contributor.authorBilgrave, Dyer P.
dc.contributor.authorDeluty, Robert H.
dc.contributor.departmentSchool of Humanities and Social Sciencesen_US
dc.contributor.programPsychologyen_US
dc.date.accessioned2017-12-04T05:13:02Z
dc.date.available2017-12-04T05:13:02Z
dc.date.issued2004-01-06
dc.description.abstractConstantin Stanislavski revolutionized 20th century theater by developing a highly articulated and practical system of acting, now referred to simply as 'the method.' Stanislavski's method presents a model of human behavior and motivation that is strikingly similar to the 'control theory' of psychologists Charles Carver and Michael Scheier. These similarities are in the areas of (a) the regulation of behavior by goals, (b) the process of goal formation, (c) the hierarchical organization of behavior, (d) the disruption of goals by obstacles, (e) outcome expectancies, (f) the sequencing of behavior into units, and (g) the formation of identity. These commonalities provide something akin to 'construct validity' for the basic assertions of each model.en_US
dc.description.urihttps://ezproxy.stevenson.edu/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=psyh&AN=2004-15918-003&site=eds-live&scope=siteen_US
dc.format.extent12 Pagesen_US
dc.genrejournal articlesen_US
dc.identifierdoi:10.13016/M2319S42M
dc.identifier.citationBilgrave, D. P., & Deluty, R. H. (2004). Stanislavski's acting method and control theory: commonalities across time, place, and field. Social Behavior & Personality: An International Journal, 32(4), 329-340.en_US
dc.identifier.issn0301-2212
dc.identifier.urihttp://hdl.handle.net/11603/7461
dc.language.isoen_USen_US
dc.publisherSocial Behavior & Personality: An International Journalen_US
dc.subjectHuman behavioren_US
dc.subjectBehavioral scientistsen_US
dc.subjectGoal (Psychology)en_US
dc.subjectSocial scientistsen_US
dc.subjectPsychologistsen_US
dc.subjectSociological researchen_US
dc.titleStanislavski’s Acting Method and Control Theory: Commonalities across Time, Place, and Fielden_US
dc.typeTexten_US

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