Infinite Transformations in a Suitcase: A Bioart Homage to Cultural Resilience

dc.contributor.authorHamidi, Foad
dc.contributor.authorDusman, Linda Dusman
dc.contributor.authorBoot, Lee
dc.date.accessioned2026-03-26T14:26:32Z
dc.date.issued2025-07-21
dc.descriptionCOMPASS '25: ACM SIGCAS/SIGCHI Conference on Computing and Sustainable Societies, Toronto ON Canada, July 22 - 25, 2025
dc.description.abstractUnderstanding and engaging with cultural practices that respond to change and resist oppression are increasingly relevant to critical design in and beyond HCI. While these areas of exploration are no stranger to the practices of bioart and biodesign that draw on the cultural, aesthetic, and practical affordances of living organisms to engage audiences and users in reflection and cultural production, they are less familiar in HCI and computing. In recent years, increased access to low-cost synthetic biology tools and techniques has made it easier for non-experts, including those trained in computing but not biology, to experiment with modifying living organisms for creative and artistic purposes, including at the molecular DNA level. Infinite Transformations in a Suitcase is a multimedia installation that uses bioart, visual art, and music strategies to create a meditative space inviting reflection on the resilience of culture. At its center is a glass of poetry-infused wine created using genetically modified yeast cells whose DNA contains an encoded 14th-century Sufi poem by Hafiz of Shiraz, surrounded by video of it being written in Farsi calligraphy. By combining multiple embodied and abstract poetic elements, the installation invites the audience to reflect on the materiality and movement of culture.
dc.description.sponsorshipWe would like to thank Alan Wonneberger, Ryan Zuber, Lydia Stamato, Erin Higgins, Hasan Mahmud Prottoy, Tagide DeCarvalho, Lisa Scheifele, Laila Kokabi, Ghazal Mojtahedi, and the Baltimore Underground Science Space (BUGSS). This work is supported by a UMBC Imaging Research Center (IRC) Faculty Research Fellowship and a UMBC Summer Research Faculty Fellowship. We also received support from the National Science Foundation (Grants DRL-2005502, DRL-2005484, DRL-2415506, and DRL-2415876).
dc.description.urihttps://dl.acm.org/doi/10.1145/3715335.3736307
dc.format.extent4 pages
dc.genreconference papers and proceedings
dc.identifierdoi:10.13016/m2j4es-f2yf
dc.identifier.citationHamidi, Foad, Linda Dusman, and Lee Boot. “Infinite Transformations in a Suitcase: A Bioart Homage to Cultural Resilience.” Proceedings of the 2025 ACM SIGCAS/SIGCHI Conference on Computing and Sustainable Societies, COMPASS ’25, July 21, 2025, 807–10. https://doi.org/10.1145/3715335.3736307.
dc.identifier.urihttps://doi.org/10.1145/3715335.3736307
dc.identifier.urihttp://hdl.handle.net/11603/42242
dc.language.isoen
dc.publisherACM
dc.relation.isAvailableAtThe University of Maryland, Baltimore County (UMBC)
dc.relation.ispartofUMBC Music Department
dc.relation.ispartofUMBC Faculty Collection
dc.relation.ispartofUMBC Information Systems Department
dc.relation.ispartofUMBC Imaging Research Center (IRC)
dc.relation.ispartofUMBC Faculty Collection
dc.relation.ispartofUMBC Visual Arts Department
dc.rightsThis item is likely protected under Title 17 of the U.S. Copyright Law. Unless on a Creative Commons license, for uses protected by Copyright Law, contact the copyright holder or the author.
dc.subjectUMBC Human-Centered Computing Program
dc.titleInfinite Transformations in a Suitcase: A Bioart Homage to Cultural Resilience
dc.typeText
dcterms.creatorhttps://orcid.org/0000-0003-1991-6062
dcterms.creatorhttps://orcid.org/0009-0006-2440-4335
dcterms.creatorhttps://orcid.org/0000-0001-6403-3934

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