Sequence, Causality, and Determinism: Anxiety over the Collision of Past and Future in Eliot’s Poetry and Joyce’s Prose

dc.contributor.authorJavelet, Jordan
dc.contributor.programBachelor's Degreeen_US
dc.date.accessioned2017-01-04T20:52:58Z
dc.date.available2017-01-04T20:52:58Z
dc.date.issued2016
dc.description.abstractThis essay was the last essay I wrote during my time studying abroad at Oxford University, and although it was written for a tutorial specifically on T.S. Eliot, it is truly a reflection of the scholarly and analytical growth I experienced during my time at Oxford. Although this essay is obviously structured around in-depth textual analysis and literary theory, the idea for the essay came from a different discipline entirely: it is, in fact, a kind of literary retelling of the famous physics thought experiment called “Schrodinger’s cat”. I cannot pretend to understand the physics aspect of the thought experiment, but my rudimentary understanding is essentially this: a cat is in a box with a radioactive element that may or may not decay. If the element decays, then a vial of poison in the box will be broken, and the cat will die. As long as the element does not decay, this will not happen. The important part of the experiment is this: as long as we don’t look in the box to see what has happened, then the cat is both alive and dead. In other words, reality is not really reality until it is observed, so as long as we haven’t observed the cat, it exists in both possible states. As I was analyzing the works of T.S. Eliot and James Joyce, I came to realize that these authors (both of whom were writing several years before Schrodinger published his cat problem) seemed to understand this phenomenon. I actually began writing the essay with an intro about Schrodinger’s cat, but this got edited out in my writing process. Nevertheless, the remnants of my thought about Schrodinger’s cat are evident throughout the essay, and I am particularly proud of this essay because of the way I was able to take ideas from two very different intellectual disciplines and bridge them into a successful essay. Even if the sciences and the humanities sometimes appear to be at odds, I truly believe that many scholars from many different disciplines are saying the same things in different ways, and finding the similarities is often more satisfying than finding the differences.en_US
dc.description.urihttp://blogs.goucher.edu/verge/sequence-causality-and-determinism-anxiety-over-the-collision-of-past-and-future-in-eliots-poetry-and-joyces-prose/en_US
dc.format.extent13 p.en_US
dc.genrejournal articlesen_US
dc.identifierdoi:10.13016/M24243
dc.identifier.urihttp://hdl.handle.net/11603/3747
dc.language.isoen_USen_US
dc.relation.isAvailableAtGoucher College, Baltimore, MD
dc.rightsCollection may be protected under Title 17 of the U.S. Copyright Law. To obtain information or permission to publish or reproduce, please contact the Goucher Special Collections & Archives at 410-337-6347 or email archives@goucher.edu.
dc.subject.lcshResearch -- Periodicals.
dc.titleSequence, Causality, and Determinism: Anxiety over the Collision of Past and Future in Eliot’s Poetry and Joyce’s Proseen_US
dc.typeTexten_US

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