Enacting the nation on stage: styles, subjects, and themes in American opera librettos of the 1910s

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dc.contributor.authorZiegel, Aaron
dc.contributor.departmentTowson University. Department of Musicen
dc.date.accessioned2020-07-21T21:22:31Z
dc.date.available2020-07-21T21:22:31Z
dc.date.issued2009-06
dc.description.abstractThe article focuses on six staged operas of 1910s with national style. Topics discussed include operas with a theme of racial encounter such as "Natoma" by Victor Herbert, opera "Azora" by Henry Hadley showing the fall of Aztec empire of emperor Montezuma, picturization of Indians in American culture in all the operas, use of dramaturgy adopted from the Europeans for the characters of the opera and the libretto problem faced by the operas.en
dc.description.urihttps://netforum.avectra.com/eweb/DynamicPage.aspx?WebCode=LoginRequired&Site=NOAen
dc.formatapplication/pdf
dc.format.extent19 pagesen
dc.genrejournal articlesen
dc.identifierdoi:10.13016/m2c1jj-x1er
dc.identifier.citationZiegel, Aaron. “Enacting the Nation on Stage: Style, Subjects, and Themes in American Opera Librettos of the 1910s.” The Opera Journal 42, no. 1/2 (Mar. 2009): 3–21. http://search.ebscohost.com/login.aspx?direct=true&db=ibh&AN=102828376&site=ehost-live&scope=sitez.en
dc.identifier.issn0030-3585
dc.identifier.urihttp://hdl.handle.net/11603/19211
dc.language.isoenen
dc.publisherNational Opera Associationen
dc.relation.isAvailableAtTowson University
dc.relation.ispartofseriesThe Opera Journal;volume 42, issue 1/2
dc.subjectOperas -- 20th centuryen
dc.subjectRacismen
dc.subjectAztecsen
dc.subjectOperas -- Librettosen
dc.subjectOpera -- Dramaturgyen
dc.titleEnacting the nation on stage: styles, subjects, and themes in American opera librettos of the 1910sen
dc.typeTexten

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