Crazy in Louvre: How Beyoncé and Jay-Z Exploit Western Art History to Ask Who Controls Black Bodies

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dc.contributor.authorSmalls, James
dc.date.accessioned2023-05-16T23:18:15Z
dc.date.available2023-05-16T23:18:15Z
dc.date.issued2018-06-29
dc.description.abstractAn art historian explains what the Carters’s takeover of the Paris museum says about art, race and poweren_US
dc.description.urihttps://www.frieze.com/article/crazy-louvre-how-beyonce-and-jay-z-exploit-western-art-history-ask-who-controls-black-bodiesen_US
dc.genremagazine articlesen_US
dc.identifierdoi:10.13016/m2ilso-txkq
dc.identifier.citationJames Smalls. “Crazy in the Louvre: How Beyoncé and Jay-Z Exploit Western Art History to Ask Who Controls Black Bodies,” Frieze Magazine, June 29, 2018. https://frieze.com/article/crazy-louvre-how-beyonce-and-jay-z-exploit-western-art-history-ask-who-controls-black-bodies.en_US
dc.identifier.urihttp://hdl.handle.net/11603/27995
dc.language.isoen_USen_US
dc.publisherFriezeen_US
dc.relation.isAvailableAtThe University of Maryland, Baltimore County (UMBC)
dc.relation.ispartofUMBC Visual Arts Department Collection
dc.relation.ispartofUMBC Gender & Women's Studies
dc.relation.ispartofUMBC Faculty Collection
dc.relation.ispartofUMBC Africana Studies
dc.rightsThis item is likely protected under Title 17 of the U.S. Copyright Law. Unless on a Creative Commons license, for uses protected by Copyright Law, contact the copyright holder or the author.en_US
dc.subjectApeshit music video reviewen_US
dc.subjectEverything is Loveen_US
dc.subjectBeyonceen_US
dc.subjectJay-Zen_US
dc.subjectLouvreen_US
dc.subjectUse of Art in music videoen_US
dc.subjectMusic Videoen_US
dc.subjectThéodore Géricaulten_US
dc.subjectMarie Benoisten_US
dc.titleCrazy in Louvre: How Beyoncé and Jay-Z Exploit Western Art History to Ask Who Controls Black Bodiesen_US
dc.typeTexten_US

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