Astro-Animation -- How Artists and Scientists Envision the Universe

dc.contributor.authorArcadias, Laurence
dc.contributor.authorCorbet, Robin
dc.contributor.authorBooth, Emma
dc.date.accessioned2026-01-22T16:19:01Z
dc.date.issued2025-11-29
dc.descriptionProceedings of Figuring the Invisible,2023, Lucerne, Switzerland
dc.description.abstractFor several years, students at an art college, working with NASA astronomers, have produced animations inspired by research on black holes, dark matter and more. They can be whimsical or poetic but still constrained by scientific rigour. The animations are used for scientific outreach and are freely available. Our program received a positive assessment through an evaluation we undertook. We are now planning a mobile STEAM exhibition to engage teenagers from underrepresented communities who may not typically consider STE(A)M for their studies. "Science anxiety" has been reported to be a significant barrier to learning. Mixing animation with astronomy can stimulate interest in STEAM, making science engaging in an unconventional way. One component would be activities where participants create artistic responses to astronomy. We undertook a workshop at a local city-run school, specialising in the arts for ages 14-17, to brainstorm the art/science activities. There we gave short scientific presentations leading to art activities: a giant colouring wall with projected celestial phenomena, a stop-motion station, and colouring images of comet 67P to produce an animation. Surveys before and after the activities showed positive responses. The hand of the artist has long been an important concept in animation (Crafton 1991). In a film entitled "The Movements of the Universe", this concept is adapted to the hands of scientists. Combining animation, filmed interviews at NASA (including a Nobel prize winner), and the scientists' hands, bring unexpected feelings of dream and humour to the audience. In this paper we explore three different viewpoints of these activities from a scientist, an animator, and an animation student.
dc.description.sponsorshipThis work was made possible by grants from the Zaentz foundation, the Maryland Space Business Roundtable, the National Endowment for the Arts, and was supported in part by NASA under award number 80GSFC24M0006.
dc.description.urihttp://arxiv.org/abs/2512.00535
dc.format.extent20 pages
dc.genreconference papers and proceedings
dc.identifierdoi:10.13016/m2abmz-mobt
dc.identifier.urihttps://doi.org/10.48550/arXiv.2512.00535
dc.identifier.urihttp://hdl.handle.net/11603/41532
dc.language.isoen
dc.relation.isAvailableAtThe University of Maryland, Baltimore County (UMBC)
dc.relation.ispartofUMBC Faculty Collection
dc.relation.ispartofUMBC Center for Space Sciences and Technology (CSST) / Center for Research and Exploration in Space Sciences & Technology II (CRSST II)
dc.relation.ispartofUMBC College of Arts, Humanities, and Social Sciences Dean's Office
dc.rightsAttribution 4.0 International
dc.rights.urihttps://creativecommons.org/licenses/by/4.0/
dc.subjectPhysics - Physics and Society
dc.subjectPhysics - Popular Physics
dc.subjectAstrophysics - High Energy Astrophysical Phenomena
dc.subjectPhysics - Physics Education
dc.titleAstro-Animation -- How Artists and Scientists Envision the Universe
dc.typeText
dcterms.creatorhttps://orcid.org/0000-0002-3396-651X

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