Mirror (1975): Dreamscape Interpretations
| dc.contributor.advisor | Conrath, Ryan | |
| dc.contributor.author | Giggey, Margaret | |
| dc.contributor.department | English | en_US |
| dc.contributor.program | Film | en_US |
| dc.date.accessioned | 2021-05-07T18:43:47Z | |
| dc.date.available | 2021-05-07T18:43:47Z | |
| dc.date.issued | 2021-04 | |
| dc.description.abstract | Adaptation in film is traditionally thought of as taking a written work and translating it into the moving elements of the cinema; however, a reciprocal phenomenon can also occur—adaptation of film into another artform. “Mirror (1975): Dreamscape Interpretations” and the accompanying poems “Mirror Me” and “Dreamscape,” demonstrate two examples of adapting a film into poetry using Andrei Tarkovsky’s Mirror (1975) and the inspiration of dream-like scenes in cinema. | en_US |
| dc.format.extent | 7 pages | en_US |
| dc.genre | essays | en_US |
| dc.genre | creative projects | en_US |
| dc.identifier | doi:10.13016/m2oeu4-ipwb | |
| dc.identifier.uri | http://hdl.handle.net/11603/21484 | |
| dc.language.iso | en_US | en_US |
| dc.relation.isAvailableAt | Salisbury University | en_US |
| dc.subject | Tarkovsky | en_US |
| dc.subject | Poetry | en_US |
| dc.subject | Film studies | en_US |
| dc.subject | Cinema studies | en_US |
| dc.title | Mirror (1975): Dreamscape Interpretations | en_US |
| dc.type | Text | en_US |
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