One person, One music: reconsidering the Duke-Dukelsky musical style

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dc.contributor.authorZiegel, Aaron
dc.contributor.departmentTowson University. Department of Musicen_US
dc.date.accessioned2020-07-28T20:30:40Z
dc.date.available2020-07-28T20:30:40Z
dc.date.issued2010
dc.description.abstract"[E]xamining Duke’s work, one finds patterns of stylistic consistency that unite his two compositional personalities. Those patterns undercut Duke’s professed dual identity as a composer. His self-construction as a composer with competing or alternating musical personas appears to be an artifice of creative protection, one might say, born out of the struggle to win success in both the popular and classical arenas."en_US
dc.description.urihttps://www.jstor.org/stable/10.5406/americanmusic.28.3.0320en_US
dc.formatapplication/pdf
dc.format.extent26 pagesen_US
dc.genrejournal articlesen_US
dc.identifierdoi:10.13016/m2e4nb-t1bm
dc.identifier.citationZiegel, Aaron. “One Person, One Music: Reconsidering the Duke-Dukelsky Musical Style.” American Music 28, no. 3 (2010): 320–45. doi:10.5406/americanmusic.28.3.0320.en_US
dc.identifier.issn1945-2349
dc.identifier.uri10.5406/americanmusic.28.3.0320
dc.identifier.urihttp://hdl.handle.net/11603/19265
dc.language.isoen_USen_US
dc.publisherUniversity of Illinois Pressen_US
dc.relation.isAvailableAtTowson University
dc.relation.ispartofseriesAmerican Music;volume 28, number 3
dc.subjectPopular musicen_US
dc.subjectComposersen_US
dc.subjectPianosen_US
dc.subjectMusical chordsen_US
dc.subjectMusical compositionsen_US
dc.subjectMelodyen_US
dc.subjectJazzen_US
dc.subjectTonal harmonyen_US
dc.subjectDuke, Vernon, 1903-1969en_US
dc.titleOne person, One music: reconsidering the Duke-Dukelsky musical styleen_US
dc.typeTexten_US

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