The Tone in the Tune: An Echo of Burns in Hardy's "The Darkling Thrush"

dc.contributor.authorHahn, H. George (Henry George), 1942-
dc.contributor.departmentTowson University. Department of Englishen
dc.date.accessioned2022-08-22T19:55:35Z
dc.date.available2022-08-22T19:55:35Z
dc.date.issued2017
dc.description.abstract[From article:] The most anthologized of Thomas Hardy's poems, "The Darkling Thrush," is also a site of contesting themes of skepticism, agnosticism, denial, and regret [...] Yet there is a chorus of agreement about the downcast tone of the poem. [...] This agreement about tone seems the more correct on recalling that Hardy had originally entitled the poem "By the Century's Deathbed," which he later dated "31st December 1900," a title and time consonant with the poem's funereal imagery, austere landscape, evening hour, and melancholic mood, features granting the poem an ancestry dating to the Graveyard School poetry of the mid-eighteenth century. But a different tone may become audible when recalling Hardy's love of music. [...]en
dc.description.urihttps://doi.org/10.5325/victinstj.45.1.0188en
dc.format.extent7 pagesen
dc.genrejournal articlesen
dc.identifierdoi:10.13016/m2rhqf-59nq
dc.identifier.citationHahn, H. George. "The Tone in the Tune: An Echo of Burns in Hardy's 'The Darkling Thrush.'" Victorians Institute Journal, vol. 45, no. 1, 2017, pp. 188-194, https://doi.org/10.5325/victinstj.45.1.0188en
dc.identifier.issn0886-3865
dc.identifier.issn2693-3411
dc.identifier.uri10.5325/victinstj.45.1.0188
dc.identifier.urihttp://hdl.handle.net/11603/25540
dc.language.isoenen
dc.publisherPennsylvania State University Pressen
dc.relation.isAvailableAtTowson University
dc.relation.ispartofseriesVictorians Institute Journal;volume 45, number 1
dc.subjectHardy, Thomas, 1840-1928. Darkling thrushen
dc.subjectToneen
dc.subjectBurns, Robert, 1759-1796. Auld lang syneen
dc.subjectPoetry and musicen
dc.titleThe Tone in the Tune: An Echo of Burns in Hardy's "The Darkling Thrush"en
dc.typeTexten

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