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    One person, One music: reconsidering the Duke-Dukelsky musical style

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    One Person, One Music (4.508Mb)
    Links to Files
    https://www.jstor.org/stable/10.5406/americanmusic.28.3.0320
    Permanent Link
    10.5406/americanmusic.28.3.0320
    http://hdl.handle.net/11603/19265
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    • Ziegel, Aaron
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    Author/Creator
    Ziegel, Aaron
    Date
    2010
    Type of Work
    application/pdf
    26 pages
    Text
    journal articles
    Department
    Towson University. Department of Music
    Citation of Original Publication
    Ziegel, Aaron. “One Person, One Music: Reconsidering the Duke-Dukelsky Musical Style.” American Music 28, no. 3 (2010): 320–45. doi:10.5406/americanmusic.28.3.0320.
    Subjects
    Popular music
    Composers
    Pianos
    Musical chords
    Musical compositions
    Melody
    Jazz
    Tonal harmony
    Duke, Vernon, 1903-1969
    Abstract
    "[E]xamining Duke’s work, one finds patterns of stylistic consistency that unite his two compositional personalities. Those patterns undercut Duke’s professed dual identity as a composer. His self-construction as a composer with competing or alternating musical personas appears to be an artifice of creative protection, one might say, born out of the struggle to win success in both the popular and classical arenas."

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    Towson University
    8000 York Road
    Towson, Maryland 21252

    Website:
    www.towson.edu

    Contact Info:
    azukowski@towson.edu
    410-704-5318
    http://libraries.towson.edu/md-soar


    If you wish to submit a copyright complaint or withdrawal request, please email mdsoar-help@umd.edu.