From FOSS to profit: Digital spatial technologies and the mode of production

Date

2024-12-01

Department

Program

Citation of Original Publication

Mahmoudi, Dillon, Jim Thatcher, Laura Beltz Imaoka, and David O’Sullivan. “From FOSS to Profit: Digital Spatial Technologies and the Mode of Production.” Digital Geography and Society 7 (December 1, 2024): 100101. https://doi.org/10.1016/j.diggeo.2024.100101.

Rights

Attribution-NonCommercial 4.0 International

Abstract

Existing literature has scrutinized the impact of geospatial technologies from various angles. This article adopts a heterodox vantage point—the mode of production—to illuminate the intricate power dynamics woven into the fabric of these technologies. By focusing on the mode of production, we meticulously demonstrate how ostensibly novel digital technologies and geospatial data formats wield power within social relations of production. Responding to calls to scrutinize the political economy of spatial technologies and map-making tools, we aim to unravel the underpinning social relations, software development techniques, and technologies that shape file formats like GeoJSON and Esri Shapefile. By tracing the historical evolution of these formats, the article reveals how digital labor, both voluntary and expropriated, shapes the landscapes of profit-driven technology firms. The rise of open standards is not a departure from for-profit motives but rather a manifestation of the confluence of free, open, and for-profit. Ultimately, we argue that the intricate connections between digital technologies, geography, and capitalist structures enroll seemingly independent FOSS products into broader systems of capital accumulation. These findings highlight the far-reaching impact of geospatial technologies and their role in perpetuating and reshaping capitalist dynamics.