Twentieth-century flesh on an eighteenth-century skeleton: An analysis of George Walker's 'Poeme for Violin and Orchestra'

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dc.contributor.advisorThesen, Anita
dc.contributor.authorBernstein, Nesia T.
dc.contributor.programMaster of Artsen
dc.date.accessioned2019-11-06T15:31:50Z
dc.date.available2019-11-06T15:31:50Z
dc.date.issued2005-08-09
dc.genretheses
dc.identifierdoi:10.13016/m2u4lb-qf2s
dc.identifier.urihttp://hdl.handle.net/11603/16186
dc.language.isoen
dc.relation.isAvailableAtMorgan State University
dc.rightsThis item is made available by Morgan State University for personal, educational, and research purposes in accordance with Title 17 of the U.S. Copyright Law. Other uses may require permission from the copyright owner.
dc.subjectMusicen
dc.subjectBiographyen
dc.subjectAfrican Americansen
dc.titleTwentieth-century flesh on an eighteenth-century skeleton: An analysis of George Walker's 'Poeme for Violin and Orchestra'
dc.typeText

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