Small Opera, Big Voice: The Role of Small Opera Companies in Eliminating Elitism in Modern Opera Ecology

dc.contributor.advisorHolland, David
dc.contributor.authorSadler, Cindy
dc.contributor.departmentArts Administrationen
dc.contributor.programMA in Arts Administrationen
dc.date.accessioned2022-04-14T00:06:32Z
dc.date.available2022-04-14T00:06:32Z
dc.date.issued2022-04
dc.description.abstractIn the United States, small opera companies are the veins that carry fresh blood throughout the American opera world, and their work benefits both their communities and the American opera ecology at large. Their size gives them organizational agility, making them more flexible and faster to act. They often serve as proving grounds for young singers, directors, conductors, and designers, and as conduits to the larger opera stage. Where larger companies battle the perception and reality of elitism, lack of diversity, entrenchment, colonialism, racism, and inaccessibility, smaller companies enjoy deeper engagement with their communities and serve a broader range of people in their mainstage programs. For these reasons and others, grassroots and experimental opera organizations are pivotal to eliminating elitism in the twenty-first-century opera ecology.en
dc.format.extent36 pagesen
dc.genrethesesen
dc.identifierdoi:10.13016/m2uopm-31va
dc.identifier.urihttp://hdl.handle.net/11603/24546
dc.language.isoenen
dc.relation.isAvailableAtGoucher College, Baltimore, MD
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/us/*
dc.subjectOpera -- United States -- History -- 20th centuryen
dc.subjectOpera --United States --Industryen
dc.subject.lcshArts administration -- Theses.
dc.titleSmall Opera, Big Voice: The Role of Small Opera Companies in Eliminating Elitism in Modern Opera Ecologyen
dc.typeTexten

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