Ernest Hemingway's Use Of Luck As Religious Discourse In His Major Works

dc.contributor.advisorCary Nerad, Julie
dc.contributor.authorGallagher, Mary Beth
dc.contributor.departmentEnglish and Languagesen_US
dc.contributor.programDoctor of Philosophyen_US
dc.date.accessioned2018-04-27T15:07:19Z
dc.date.available2018-04-27T15:07:19Z
dc.date.issued2015
dc.description.abstractThis dissertation examines Ernest Hemingway's employment of the word and idea of luck as religious discourse in his works, Death in the Afternoon (1932), To Have and Have Not (1937), For Whom the Bell Tolls (1940), and The Old Man and the Sea (1952). Hemingway uses the language and tenets of Christianity as scaffolding to edify his religious vision of luck. In Death in the Afternoon, belief in luck is cloaked within the Catholic framework of rituals and saintly devotions. Hemingway watched the toreros pray to the Blessed Virgin for both protection and luck. Influenced by the concept of luck as a religious element in the bullfighting world, Hemingway explored the concept further in his fiction. In To Have and Have Not, For Whom the Bell Tolls, and The Old Man and the Sea, Hemingway presents and develops luck in a variety of spiritual forms such as blessings, salvation, grace, and the focus of a pilgrimage in an attempt to create a religion that better explains and defines the Modernist experience.
dc.genredissertations
dc.identifierdoi:10.13016/M21N7XQ2Q
dc.identifier.urihttp://hdl.handle.net/11603/9953
dc.language.isoen
dc.relation.isAvailableAtMorgan State University
dc.rightsThis item is made available by Morgan State University for personal, educational, and research purposes in accordance with Title 17 of the U.S. Copyright Law. Other uses may require permission from the copyright owner.
dc.subjectHemingway, Ernest, 1899-1961en_US
dc.subjectAmerican literatureen_US
dc.subjectCatholicismen_US
dc.subjectReligionen_US
dc.subjectSuperstitionen_US
dc.titleErnest Hemingway's Use Of Luck As Religious Discourse In His Major Works
dc.typeText

Files