Shades Of Love: Colorism As An Influence On Spousal Selection And Marriage In The Works Of Hurston, West, And Morrison

dc.contributor.advisorCary Nerad, Julie
dc.contributor.authorSykes, Tiara
dc.contributor.departmentEnglish and Languagesen_US
dc.contributor.programMaster of Artsen_US
dc.date.accessioned2018-04-27T15:56:13Z
dc.date.available2018-04-27T15:56:13Z
dc.date.issued2016
dc.description.abstractThis thesis discusses the influence of colorism on black Americans' spousal selection and marriage as presented in the literary works of Zora Neale Hurston, Dorothy West, and Toni Morrison. These three twentieth century African American novelists illustrate the psychological, economical, and social consequences of colorism in marriage within their literature. The selected works include Hurston's “Sweat” (1926), Jonah's Gourd Vine (1934), Their Eyes Were Watching God (1937); West's “An Unimportant Man” (1928), The Living is Easy (1942), The Wedding (1995); and Morrison's The Bluest Eye (1970) and Song of Solomon (1977). Furthermore, this thesis uses a thematic approach of critical race theory and Jungian theory on marriage and personality development to analyze the corresponding themes of domestic violence and sexual deviance, including infidelity and incestuous rape, as consequences of colorism featured in each author's work.
dc.genretheses
dc.identifierdoi:10.13016/M2S17SW2X
dc.identifier.urihttp://hdl.handle.net/11603/10582
dc.language.isoen
dc.relation.isAvailableAtMorgan State University
dc.rightsThis item is made available by Morgan State University for personal, educational, and research purposes in accordance with Title 17 of the U.S. Copyright Law. Other uses may require permission from the copyright owner.
dc.subjectAfrican American studiesen_US
dc.subjectMorrison, Tonien_US
dc.subjectHurston, Zora Nealeen_US
dc.titleShades Of Love: Colorism As An Influence On Spousal Selection And Marriage In The Works Of Hurston, West, And Morrison
dc.typeText

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