CONSTRUCTION OF IDENTITY AND LEGITIMACY IN EARLY SASANIAN IRAN: HISTORICAL, RELIGIOUS, AND LEGENDARY CONTEXTS AND MOTIVATIONS FOR STATECRAFT IN THE FIRST CENTURY OF THE DYNASTY
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Date
2017-12
Department
Hood College Arts and Humanities
Program
Humanities
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Abstract
The shahs of the early Sasanian dynasty faced the challenge of establishing their
legitimacy as the rulers of an imperial polity after rising to power through military
insurrection. The early shahs of the dynasty sought to locate themselves within the
religious, mythic, and historical context to link themselves to the glorious rulers and
dynasties of Iranian myth and history, while simultaneously espousing Mazdean virtue.
Through the concepts of Eransahr and Farr, the notion of the territorial unity of the
Mazda-worshiping peoples prescribed in the Avesta and the divinely-bestowed glory of
rulers, respectively, the motivations that underlaid Sasanian statecraft during the first four
generations of the dynasty are contextualized.
The idea of Eransahr as a sacrosanct territorial delimitation of the homelands of
the Mazdean peoples was first employed to validate and legitimize the rebellion of the
Sasanians against the Parthian Askanian dynasty. After the civil war that established
Ardasir I as Sahansah, the defense of Eransahr as both a tangible expanse of territory and
a religious concept was used to justify punitive and retaliatory military action in the west
against the Roman Empire, as well as to acquire the Central Asian holdings of the
Kushan Empire. The claim to the sole possession of Farr was similarly employed to
justify first rebellion, and then conflicts with the Kushan Empire, whose own rulers
claimed Farr from Mazdean divinities.
Establishing the religious, mythic, and historical contexts to which the early
Sasanian dynasts were subject illuminates the motivations for imperial policy and allows
the scrutiny of those policies and actions to transcend the biases inherent in non-Iranian
sources for the period. Furthermore, privileging autochthonous sculptural, epigraphic,
and numismatic productions produces an innovative analysis of early Sasanian statecraft
cognizant of, and rooted within, Iranian cultural paradigms.