Broadway, the Media, and Framing Theory

dc.contributor.advisorElizabeth Atwood
dc.contributor.advisorNoel Verzosa
dc.contributor.advisorAaron Angello
dc.contributor.authorDeGennaro, Sophia
dc.contributor.departmentHood College English and Communication Arts
dc.contributor.programHood College Departmental Honors
dc.date.accessioned2025-04-25T13:29:20Z
dc.date.available2025-04-25T13:29:20Z
dc.date.issued2025-04-24
dc.description.abstractThis paper examines the growing relationship between Broadway and media, with a focus on the way media framing is used to portray historical Broadway shows that include difficult topics. Using reviews from internal and external publications of shows, this paper analyzes the specific media frames portrayed for each show. It also analyzes emerging trends and the future of the relationship between Broadway and the media. All publications cited were selected for their geographical relevance to Broadway, and history of covering Broadway shows up to the relevant review. Newspapers include The New York Times, Variety, Playbill, New York Magazine, Dance Magazine, and The Washington Post and Times Herald. Reviews were largely pulled from the database Newspapers.Com, and were published within the first month following the show’s debut. This paper specifically covers the shows West Side Story, Hair, Rent, and The Colour Purple.
dc.genreDepartmental Honors Paper
dc.identifierdoi:10.13016/m2kqax-a5nh
dc.identifier.urihttp://hdl.handle.net/11603/38115
dc.language.isoen_US
dc.rightsAttribution-NonCommercial 3.0 United Statesen
dc.rights.urihttp://creativecommons.org/licenses/by-nc/3.0/us/
dc.subjectbroadway
dc.subjectmediator machine
dc.subjectmedia theory
dc.subjectFraming Theory
dc.subjecttheatre
dc.subjecttheater
dc.subjectmedia frames
dc.titleBroadway, the Media, and Framing Theory
dc.typeText

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